About Ney
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A Brief History of Ney
Ney: In some Turkish dialects it is called "nai", "nay", "gagri tuiduk" or "karghy tuiduk". It is a wind instrument made of reed reed. Kaşgarlı Mahmut, in his work entitled Divân-ı Lügati't-Türk, written at the beginning of 11th century, explaining the Turkish culture and language, stated that Ney was used in the "Sagu" ceremonies, that were organized for "Erler", related to death, virtue and pain. "Sagu" ceremonies are also known as "Yug" among Turks. Sagut or Yağut, which were lementations sung in these ceremonies, called today "Ağıt". We can even say "Sagut" or "Yağut" have been brought to the present day as "Avut" when we associate it with the word "Avutmak", which means consoling. Since the sound coming out of Ney is very deep and impressive, we can understand more easily why the Turks blow Ney in these ceremonies.
Ney, thanks to Safavid Turkish dynasty and Great Seljuk Empire, which ruled in Azerbaijan and Iran, has also spread seriously in Iran and took the name "nâ" or "nay" (reed) in Persian.
Ney, which has spread among Arabs by the influence of Mamluks, Ayyubids, Seljuks and Ottomans, is also named with the word "mizmâr" (meaning windpipe), which is used for almost all Arabic wind instruments.
In Turkey, Azerbaijan and Crimea it has always referred as Ney.
Ney spread to Balkans by Ottoman influence; and called "Ney" by Bosnian, Croatian, Greek, Macedonian and Albanians, "Nai" by Serbs and Bulgarians, and "Nayu" in Romania.
The most primitive form of the ney instrument was first used in history in the Sumerian society. It is thought to have been used since 5000 years. The oldest ney found is what remains from 3000-2800 BC is what is exhibited in the Philadelphia University Museum in America today. It is thought that the instrument was used in religious ceremonies in those times.

Kargı Reeds at field (Arundo Donax)
Ney Today
Today, "Ney" is known as Turkish instrument. Translated as English Turkish Flute and German Türkische Flöte, Ney is known in almost all world languages with its Turkish flute equivalents.
Ney is a primitive instrument… Therefore, it is not possible to situate and describe it in a single theory like flute, clarinet and other later systematized instruments. For this reason, Ney is learned completely and correctly only by working one-on-one with Ney masters through meşk.
Like all other musical instruments, the Ney has evolved. Turkish Neys have been revised in the last century. Kutb-i Nayi Niyazı Sayın is currently 94 years old and has revised his Ney instrument with a pitch shifting system. The current Ney pitch system and measurements belong to Niyazi Sayın.
Ney in Sufism
Ney has become a symbol of Sufi music. Instead of playing for a musical instrument, the term "blowing" is used for Ney. Blowing here has a figurative meaning. It takes its source from the fact that in Islam, Allah breathed into him when he created man. Another factor that enables one to be affected by this metaphor is; It is the sound of "Hû" when blowing the ney, just like "Tü" sounds when playing the flute and "Ü" sounds for the side flute. Hu means "he" in Arabic and is often uttered glorifying Allah.
As in other Turkish states from the Seljuk period, especially in the Ottoman period, in Tekke and Dergah where everyone was a regular according to their own disposition, thanks to the rosary, dhikr or semah performed in the written field, a Tekke Literature was formed in Turkish Music, accompanied by instruments. The meşks in the rosary, dhikr and semah rites have created an attitude of Takke, and thanks to the progress made in the field of Sufism with the accumulation of centuries, Sufi Music was born alongside Sufi Literature. The ney, on the other hand, has become the main instrument of Sufi Music with the effect of being an instrument used in religious ceremonies since the first periods of its use. For this reason, Ney; Although it is accepted as an ordinary instrument in other societies, it has gained an otherworldly identity in Turkish societies and societies that have been heavily influenced by Turks in terms of religion and culture, and has been associated with religion and mysticism.
General Information About Ney
Ney is made from a kind of knotty reed called "kargı". The Latin name of this cane as a species is Arundo Donax. It grows in the Southeast, Mediterranean and Aegean regions of Turkey. In addition, ney reeds are collected from Egypt (around the Nile), Syria (around the Orontes) and Cyprus (from the south and north).
The ney, which is in various sizes according to its chords, consists of nine knuckles. There are 7 holes in Turkish and Arabic neys, six at the top and one at the bottom. Iranian neys have only 6 holes. The spongy part in the reed, called the pike, is emptied with burners that match the diameter of the knuckles in the reed, and the holes are obtained by drilling with a burner. In order for the Buselik (Natural Si) fret to be played properly, one more hole can be drilled at the bottom, so there are 8 holes.
Metal rings called "Parazvane" are placed on the ends to not to damage theends of the straw. Silver, brass or bafon (alpaca) metals are generally preferred for these parazvanes. An important part that facilitates blowing, which has been added to the ney in the last centuries, is the baspare. Başpares are made from buffalo horn, some hardwoods such as boxwood, and a recently popularized type of hard plastic called delrin, or even a mixture of epoxy. However, epoxy is a carcinogenic substance and should not be used, even though it gives a nice appearance to your thumb. Although materials such as normal plastic and PVC are used in the headpieces of lower quality neys, the first three materials are recommended for a professional. The material well as the reed used are also effective on Ney prices. The most important factors that determine the quality of buffalo horn head piece are that the horn was taken from a buffalo that died at the end of its natural life, that is, at the end of its natural life, that it is tight in its structure without cracks and breaks, and that it is carefully prepared and polished correctly in accordance with the dimensions.
For a ney to be properly tuned, it must consist of 9 knuckles and each of these knuckles must be equal to each other, which is rare to find in a reed. For this reason, ney makers adjust the tuning of the ney at the desired frequencies by using a method called shifting while opening the fret holes. For this reason, two works of the same kind do not match each other, and the tuning of the voice depends on the thickness and diameter of the fleshy part of the reed. Ideally sized neyme is very expensive and hard to find.
Features to look for in a professional quality ney; It is characterized by the fact that the yellow bright colored surface of the reed is smooth and densely fibrous, not very thick or thin, the node lengths are equal and the node widths decrease proportionally from top to bottom. What is thick or thin affects the deepest, low tone, and the thinnest, high-pitched sounds.
In addition, the Ney is a fretless instrument and the note arrangement is made by sliding on the Ney. Because each reed is of different size and quality, it is impossible for a fixed pattern to be the same for each Ney. For this reason, it is very important that the master who plays the Ney is also a Neyzen. The master who opens the ney can only determine the right chord if he is a neyzen himself.

Types of Neys
There are 13 main types of Ney. The main harmony and intermediate harmony (mabeyn) from short to long are as in the photo below. Ney lengths are approximate measurements. Depending on the diameter and volume of the reed, these ratios show positive or negative differences.
The longer the neys are, that become more difficult for the player to acquire sound, control it, and move the fingers easily by reaching the curtains. For this reason, medium-upper-length Neys such as "Mansur" or "Kız" Ney are recommended for a new beginner. The person who has mastered these Neys can easily be successful in shorter Neys. Today, "Shah" Ney is used as a solo by some master neyzins, "Davud" Ney is used very rarely, "Davud-Bolahenk" and "Bolahenk" Neys are almost never used.
Since classical Ottoman music performers usually perform in the harmony of "Kız", "Yıldız" and "Sipürde", the Neys in these harmonies are the most used.
In recent years, due the development of communication and transportation, the Ney instrument has also been the focus of attention by the westerners. Ney, the main instrument of the Sufi tradition, was learned in western countries only by foreigners interested in Sufi culture. However, in modern music performances, Ney has taken its place in western music and has reached the extreme point of Asia from South America.
Neyzen Sinan Söyler Ney Workshop produces all kinds of Turkish and Arabic Neys with great care.

Use of Fingers and Sounds on Ney
Ney is a rich instrument in terms of performance and technically strong. Making a healthy sound from Ney is the first obstacle a beginner will encounter. After choosing right or left blowing depending on personal choice, it is a skill that must be acquired at the first stage for the neyzen candidate to find the appropriate lip position and blowing angle according to his / her lip and tooth structure by trial and error and to set this position to make a smooth sound. Therefore, should be focused on the sound of "neva" (Re / Sol), which is the easiest sound to make, that is, the lowest sound that can be made when all fingers are open. Later, the curtains were gradually closed and towards the peste "nim hicaz" (Do diez / Fa diez), "Çargah" (Do / Fa), "segah" (Si / Mi), "Kürdi" (Si flat / Mi flat), "dugah The sounds of "(La / Re) and" rast "(Sol / Do) should be fitted by blowing continuously, and should be made flawlessly removable in all cases. After this stage, the neyzen candidate can choose the difficult path and concentrate on the curtains called dem voices, which are called "acem aşiran" downwards, or continue to blow sound by adding high pitched curtains from "neva".
By closing the holes to a certain extent and turning the blowing angle in or out, intermediate sounds in the 9-comedic system in Turkish Art Music can be performed.
Ney performance becomes meaningful after eliminating technical difficulties that take an average of two, to four years, depending on the skill of the person. Because a neyzen candidate who has not overcome technical difficulties cannot be expected to succeed in advanced points such as voice color, musicality, nuances and ney attitude. Until this process is over, some easy-to-perform works can be studied as studies.
Ney is a fretless instrument like a violin; In other words, it can produce every frequency in between with the finely tuned movements of the breath and fingers. Those who do not good on listening will face difficulties to produce proper frequency efficiently. Therefore it is advised for someone who does not have enough knowledge and skills in music should definitely work under the supervision of an instructor.
Ney is a fretless instrument that can produce intermediate sounds. Therefore, besides Classical Ottoman Music, sound systems of many genres such as Western Music, Popular Music, Jazz Music, and Folk Music can be performed with the ney. Transposition in ney is achieved by choosing neys of different sizes according to the harmony (tone) of the piece or by performing the very difficult lip transposition of the neyzen. The sound width of the ney, which is 2.5 octaves on average, can reach up to 3 octaves depending on the mastery of the neyzen. However, before going into transposition, the sounds should be made exactly and correctly when you blow Ney. On Ney sounds are obtained from the basic sounds called dem ses and their derivatives. The holes, also called curtains, indicate the points where the breath will come out and determine the length of the air column inside the ney. According to the blowing intensity, many sounds are obtained in the order of the same pitch. In the lightest blow, first the sound itself or the basic sound, when blown more intensely, its octave, then the quintet of the previous sound and finally the octave of the same octave form the most used sounds. All the sounds that come out when blown louder than this should be blown upright as a pythagorean coma will give up. Thus, the sound field, which is two and a half octaves from coarse to treble neva, can be expanded to a point close to three octaves. While performing in the tampere system, methods such as half pressing the frets or changing the lip-baspare angle are applied.
